Did I miss a week? I’m so sorry!
Okay, everybody, I hope you’re having a great Easter Monday, and that your week-end was good, because we have a couple serious things to talk about today. This well-argued criticism of a proposed DC launch cover, from critic Janelle Asselin, generated a response that began as defensive, and developed into full-blown misogyny. It’s easy to shrug and say “trolls gonna troll”, but perhaps this incident is closer to a tipping point, as suggested by the wealth of commentary it’s generated, from Ulises Farinas (in two parts), from Comics Alliance (whose advice is pretty on the nose: don’t be a fake geek guy), and numerous other sources excellently gathered by The Comics Reporter. So last week there was a lot of talk. Let’s hope this week is about thought, and maybe every week after can be about people taking positive personal actions. Just not this one.
Alright, on the sunnier side of gender relations and parity in comics, there’s insight over at Wired (hot week for them) on the importance of the Carol Corps, courtesy of Rachel Edidin, while Laura Hudson gave Sex Criminals the attention it deserves. And a positive, go anywhere, do anything comic to put the sparkle in your smile? Well, look no further than Natalie Nourigat’s travelogue! It’s awesome.
Comics Oscars time! The Eisner nominations were announced, leading to accusations of neglect, the predictable CBR puff-piece, and a typically balanced Multiversity take. If you think the Eisners run on a Usual Suspects-type process, then check out the Inkwell awards. Small world, comics, apparently. It could leave you at your wit’s end, but to save you, here’s a generous peek at Witzend, coming soon (but not soon enough!) from Fantagraphics.
WonderCon happened again, and the CBR directory of coverage is here, with the announcement of even more Artist’s Editions to come. There’s something here about how arcs/titles people don’t normally speak of often become special, coveted even, when they’re available in this format, almost as if this was the only way people could really appreciate the art. Is the rise of the artist’s edition a parallel to the fall of the marquee artist? Do they say something about the mainstream/superhero comics market’s fetishisation of visual art in contrast to its commoditisation of writing comics? Either way, for our money, Linework sounds like the place to be this time next year! After all, it’s co-founded by Study Group’s own Zack Soto, and by the way, have you heard the word about Study Group 3D? The word is GOOD.
Talking alt-comix for a minute, Oily’s Spring season looks slick, while the FP blog shares a sweet preview of how awesome the new Owen Johnson comic is, and Zainab wants you to know that NoBrow #9 should be in your stack if you like pictures, art, paper, or colours.
Does this remind anyone else of Black Science #1, but with less eye-boggling art, and more fun? While questions are flying, this “Multiversity” thing that bald Scotsman is rabbiting about… will it actually ship? And have you ever encountered the Brothers of Blood?
We end with proof, if it were needed, that Bendis’s best work is his Tumblr.